When one of Fjällbacka’s lobster fishermen finds a little girl drowned, her death is said to be an accident. But the autopsy reveals traces of fresh water combined with soap in her mouth. The conclusion is that someone has drowned the girl indoors, undressed her and then thrown her into the sea. But who could have wanted to do such a horrible thing to a little girl? And why? Patrik Hedström, whose girlfriend Erica has just given birth to their first child, once again becomes involved in a complicated murder investigation together with his colleagues at Tanumshede’s police station. Behind Fjällbacka’s idyllic façade lurks another reality – with feuding neighbours, family conflicts and child pornography rings.

Camilla Läckberg’s third crime novel about Patrik Hedström and Erica Falck is as action-packed as Isprinsessan (The Ice Princess) and Predikanten (The Preacher). Events from Fjällbacka in the 1920s are woven together with the present, and it turns out that the key to solving the riddle lies in the past…


First published by Forum, Sweden, 2005.
404 pages.


Sweden, Forum
Sweden, Månpocket (paperback)
Sweden, Bonnier Audio (audio book)
Sweden, E-lib (e-book)
Sweden/The Netherlands, Grote Letter (Swedish large print)
Albania, Botimet Dudaj
Arabic, Sama Publishing
Brazil, Planeta
Bulgaria, Colibri
Canada, HarperCollins Canada
Catalonia, Ara Llibres
China, Shanghai Yuzon
Croatia, V.B.Z.
Czech Republic, Motto/Albatros
Denmark, People’s Press
Estonia, Fookus Meedia
Finland, Schildts/Gummures
France, Actes Sud
Germany, G. Kiepenheuer/Ullstein
Greece, Metaixmio
Hungary, Animus
Iceland, Sogur
Israel, Modan
Italy, Marsilio Editori
Japan, Shuei Sha
Latvia, Jumava
The Netherlands, Ambo Anthos
Norway, Gyldendal
Poland, J Santorski/Czarna Owca
Portugal, Asa Leya
Romania, Editura Trei
Russia, Eksmo
Slovakia, Slovart
Slovenia, Ucila International
Spain, Maeva
Turkey, Dogan Egmont
UK, HarperCollins
US, Pegasus


Nominated for the Best Swedish Crime Novel Award by the Swedish Crime Academy in 2005


Sweden, SVT (TV rights)


France, Casterman


Three novels – three successes. First came Isprinsessan (The Ice Princess), then The Preacher (Predikanten) and most recently The Stonecutter (Stenhuggaren). Three crime novels – three huge successes. Camilla Läckberg has taken her place among the Swedish crime writing elite, and she’s here to stay. Considering her relatively young age, Camilla Läckberg is an enormously compelling writer. You would think that she’s done nothing but write crime novels her entire life. A Camilla Läckberg book is guaranteed to be exciting.

Stenhuggaren (The Stonecutter) is suggestive and relentless and just plain super exciting.

Läckberg’s first two books, Isprinsessan (The Ice Princess) and Predikanten (The Preacher), were exciting and well-written. But I would have to say that with Stenhuggaren (The Stonecutter) she has grown more polished and has established a powerful identity as an author. She is making ever-swifter progress through rough territory and very soon can be included among the group considered to be Sweden’s top crime authors.
Örnsköldsviks Allehanda

And this is really good. Sharp, exciting and well on a par with other authors in the genre. I can’t wait for book number four about Hedström and his friends on the west coast. Superb, Läckberg!
Värnamo Nyheter

The story, which finally catches up the murder investigation and thus the present day, is very skilfully told and the approach works well. Overall, to me this is Läckberg’s best book.

Läckberg’s job is to make the reader pleasurably uncomfortable – one of her ironclad skills. This latest novel (translated by Steven T Murray) adds another level cannily designed to unsettle us: a measured examination of the elements of determinism in human nature, and the readiness to cut loose moral restraint when passionately held desires are frustrated. There is also a lacerating picture of an unrestrained female psyche, both attractive and monstrous. Läckberg may be of little interest to the more salacious British tabloids, but she should be firmly in the consciousness of the readers of this newspaper.
Barry Forshaw, The Independent